An impressive choir member is one who can pick a musical piece and begin to sing immediately. This is a fete that requires dedication, extensive practice and a lot of effort. Unfortunately, many are unable to achieve this because they lack professional input. Here are expert tips that will make sight reading music for singers effortless. Mastering the tricks will make you a jewel in whichever choir you join.
You need to think of three elements as you read your piece. There is rhythm, pitches and words. The advantage for a singer is that you only have to concentrate on one line. For an instrumentalist like pianist, you have to read all staves. The only complication for a singer is if the language is foreign.
Concentration is both a skill and a virtue for any successful artist. Without concentration, even the most successful singer will perform dismally. While it might sound obvious, it is a trait that defines who succeeds and who fails. Keep your eyes and mind on the script other than wondering who appeared for the show or which dignitaries you are entertaining. Your delivery of the script is all that matters at the moment.
Endeavor to capture a wider block when singing other than focus on a single note. The best artists are graceful and confident. They do not struggle with either the rhythm or pace. Focusing on a small chunk creates tension which makes your delivery of the entire piece shambolic. Learn to capture a bar at a time or even two bars. This allows your mind to focus on words when it is time to hit the notes.
Learn to recognize rhythms at a glance. The number of rhythms you encounter in music is very small, even when playing at the highest level. Free your mind early by identifying the rhythm at the beginning to give you a general idea of how the melody will develop. You will need to increase your encounter with musical pieces in order to be familiar with rhythms.
You mind needs to learn how to read beyond the note you are playing at the moment. This prepares you for dynamics such as fingering, sustain, accidentals, new rhythms, etc. Such elements are likely to cause trouble when they suddenly appear as you play. You will have no time to execute the instructions if your focus is on one note at a time. This affects the beauty of your melody.
Simple mistakes should not ground you. This is especially important when performing in a group. Just like in a race, stopping to correct them will only cause a stampede of a kind. Skip the section and catch up with the rest of the team. Even the maestros you admire do not hit 100% accuracy all the time.
With a good deal of practice, sight reading will prove easy. Where the piece is provided before hand, internalize elements like pitch, rhythm and tempo, among others to enable you focus on the notes and thus improve your concentration. Chase 100% accuracy, but it will not be possible all the time.
You need to think of three elements as you read your piece. There is rhythm, pitches and words. The advantage for a singer is that you only have to concentrate on one line. For an instrumentalist like pianist, you have to read all staves. The only complication for a singer is if the language is foreign.
Concentration is both a skill and a virtue for any successful artist. Without concentration, even the most successful singer will perform dismally. While it might sound obvious, it is a trait that defines who succeeds and who fails. Keep your eyes and mind on the script other than wondering who appeared for the show or which dignitaries you are entertaining. Your delivery of the script is all that matters at the moment.
Endeavor to capture a wider block when singing other than focus on a single note. The best artists are graceful and confident. They do not struggle with either the rhythm or pace. Focusing on a small chunk creates tension which makes your delivery of the entire piece shambolic. Learn to capture a bar at a time or even two bars. This allows your mind to focus on words when it is time to hit the notes.
Learn to recognize rhythms at a glance. The number of rhythms you encounter in music is very small, even when playing at the highest level. Free your mind early by identifying the rhythm at the beginning to give you a general idea of how the melody will develop. You will need to increase your encounter with musical pieces in order to be familiar with rhythms.
You mind needs to learn how to read beyond the note you are playing at the moment. This prepares you for dynamics such as fingering, sustain, accidentals, new rhythms, etc. Such elements are likely to cause trouble when they suddenly appear as you play. You will have no time to execute the instructions if your focus is on one note at a time. This affects the beauty of your melody.
Simple mistakes should not ground you. This is especially important when performing in a group. Just like in a race, stopping to correct them will only cause a stampede of a kind. Skip the section and catch up with the rest of the team. Even the maestros you admire do not hit 100% accuracy all the time.
With a good deal of practice, sight reading will prove easy. Where the piece is provided before hand, internalize elements like pitch, rhythm and tempo, among others to enable you focus on the notes and thus improve your concentration. Chase 100% accuracy, but it will not be possible all the time.
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