Getting the perfect shot for a photograph is more than just timing and the right background. The way that the scene is lit up can make all the difference when it comes to getting quality results. Lighting for photography is as much an art as being able to take the picture itself.
When pictures were first created it was a pain for the people having the picture taken as well as the person taking them. The results were solely dependent upon the light being correct, or the results would be a blurry, indistinguishable blob. This meant that people would have to hold the same pose for extended periods of time while the exposure was completed to the film.
Today, the technique and technology is much more advanced and allows for more finite results in a quicker time. The camera light meter is a photographer's best friend. This one measurement can indicate a need to alter the shutter speed, film speed, aperture settings and other factors to create the perfect photo. How the light is used and presented makes a drastic difference in the results the photographer will experience.
The meter is excellent in most conditions, however if the intent is to create a dramatic effect or correct a light situation the meter will not recognize it, it then is important to overexpose or underexpose the film. The meter can become confused when the subject of the picture is darker than the background, if the sun is shining and the subject is in shadow, or there is snow present, at these times it is necessary for the artist to overexpose the film to get the best photo. There are also times that a deliberate underexposure may be needed, as when the desired effect is to have a silhouette, or on a day that is overcast, and if the subject is much lighter than the background being used.
The spectrum shows us that light has color, but it also has more of a life than that. In photography, the color that light provides is called color temperature, and may be naked to the human eye. Color temperatures make a difference on the film due to its sensitivity.
The time of day, type of shade, and even a light bulb can all cast an added color to pictures. While the color of morning and late evening are warm hues, a clear midday will give blue tints to the photographs. These types of intricacies are hard to learn and take time.
Light light will also affect the mood of a photo based on placement within the picture. Narrow lights that are farther away from the subject will give a harsh, strong appearance, while broad lighting that is closer will be softer and have a gentle effect on the surroundings. A flattering photograph can be created with the right placement.
Lighting for photography is an art in itself. There are many intricate nuances to the use of light in photos. Whether using a natural source or artificial light set, the placement and type of light can make a huge impact on the final product.
When pictures were first created it was a pain for the people having the picture taken as well as the person taking them. The results were solely dependent upon the light being correct, or the results would be a blurry, indistinguishable blob. This meant that people would have to hold the same pose for extended periods of time while the exposure was completed to the film.
Today, the technique and technology is much more advanced and allows for more finite results in a quicker time. The camera light meter is a photographer's best friend. This one measurement can indicate a need to alter the shutter speed, film speed, aperture settings and other factors to create the perfect photo. How the light is used and presented makes a drastic difference in the results the photographer will experience.
The meter is excellent in most conditions, however if the intent is to create a dramatic effect or correct a light situation the meter will not recognize it, it then is important to overexpose or underexpose the film. The meter can become confused when the subject of the picture is darker than the background, if the sun is shining and the subject is in shadow, or there is snow present, at these times it is necessary for the artist to overexpose the film to get the best photo. There are also times that a deliberate underexposure may be needed, as when the desired effect is to have a silhouette, or on a day that is overcast, and if the subject is much lighter than the background being used.
The spectrum shows us that light has color, but it also has more of a life than that. In photography, the color that light provides is called color temperature, and may be naked to the human eye. Color temperatures make a difference on the film due to its sensitivity.
The time of day, type of shade, and even a light bulb can all cast an added color to pictures. While the color of morning and late evening are warm hues, a clear midday will give blue tints to the photographs. These types of intricacies are hard to learn and take time.
Light light will also affect the mood of a photo based on placement within the picture. Narrow lights that are farther away from the subject will give a harsh, strong appearance, while broad lighting that is closer will be softer and have a gentle effect on the surroundings. A flattering photograph can be created with the right placement.
Lighting for photography is an art in itself. There are many intricate nuances to the use of light in photos. Whether using a natural source or artificial light set, the placement and type of light can make a huge impact on the final product.
About the Author:
Parker Michaels is a new media consultant and freelance photographer. For more information on the best lighting for photography, visit www.photo-junkie.com.
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